1
00:00:10,875 --> 00:00:13,167
You know Chula's store's
been closed down for a while now.

2
00:00:13,250 --> 00:00:15,958
Probably extra busy
with Maya back in town and all.

3
00:00:18,333 --> 00:00:22,167
What you lacked was a place and a purpose.

4
00:00:23,125 --> 00:00:24,958
You have that now with me.

5
00:00:25,042 --> 00:00:26,750
CHULA: <i>Maya's back.</i>

6
00:00:28,083 --> 00:00:29,542
She's too much like her father.

7
00:00:29,625 --> 00:00:31,667
I will never forgive you for this.

8
00:00:31,750 --> 00:00:34,917
Well, maybe you shouldn't talk to her.
Maybe you should just listen for once.

9
00:00:40,125 --> 00:00:44,917
SKULLY: <i>The ancestors would
watch out for family.</i>

10
00:00:47,000 --> 00:00:48,000
(DRUM BEAT)

11
00:00:48,208 --> 00:00:50,708
Ancestors whispering in your ear again?

12
00:00:51,125 --> 00:00:52,458
(CARS CRASHING)

13
00:00:57,167 --> 00:00:58,667
My father was killed also.

14
00:00:59,583 --> 00:01:01,000
<i>When I was 12 years old.</i>

15
00:01:01,083 --> 00:01:02,083
VICKIE: No. No.

16
00:01:02,458 --> 00:01:03,750
(EXHALES)

17
00:01:04,083 --> 00:01:05,250
(GRUNTING)

18
00:01:05,333 --> 00:01:08,667
We almost die
because there's a price on your head?

19
00:01:08,750 --> 00:01:13,125
You have to learn to jump
between two worlds.

20
00:01:14,292 --> 00:01:17,292
SKULLY: I <i>guess we all do things</i>

21
00:01:17,375 --> 00:01:19,125
<i>- we wish were different.</i>
- I go too.

22
00:01:19,208 --> 00:01:20,208
<i>Maya!</i>

23
00:01:22,458 --> 00:01:26,333
FISK: <i>You and I, we're family.</i>

24
00:01:29,750 --> 00:01:31,167
No matter what.

25
00:01:43,917 --> 00:01:48,042
(INDISTINCT CITY AMBIENCE)

26
00:02:00,250 --> 00:02:01,458
(INDISTINCT CHATTER)

27
00:02:03,292 --> 00:02:05,208
MAN: Chocolate, strawberry, vanilla.

28
00:02:05,292 --> 00:02:06,583
Got enough cash?

29
00:02:07,667 --> 00:02:09,292
Thank you. Hi.

30
00:02:09,917 --> 00:02:11,792
What are you havin'?

31
00:02:11,875 --> 00:02:12,875
Huh?

32
00:02:14,042 --> 00:02:15,101
MAN: No, we're out of those.

33
00:02:15,125 --> 00:02:16,958
(INAUDIBLE)

34
00:02:18,125 --> 00:02:19,583
Which one?

35
00:02:20,208 --> 00:02:21,333
Use your words.

36
00:02:21,917 --> 00:02:25,792
- (INAUDIBLE)
- (MAN BREATHING HEAVILY)

37
00:02:25,875 --> 00:02:28,458
(OMINOUS MUSIC PLAYING)

38
00:02:28,542 --> 00:02:29,583
(INAUDIBLE)

39
00:02:29,667 --> 00:02:33,208
(FISK BREATHING HEAVILY)

40
00:02:33,333 --> 00:02:37,250
(CAR DOOR OPENING AND CLOSING)

41
00:02:39,458 --> 00:02:40,917
Wait here, Maya.

42
00:02:41,000 --> 00:02:42,958
Uncle has something he needs to do.

43
00:02:43,042 --> 00:02:44,625
(SUSPENSEFUL MUSIC PLAYING)

44
00:02:48,083 --> 00:02:49,125
(CAR DOOR SLAMS)

45
00:02:51,042 --> 00:02:52,417
- FISK: (SHOUTS) Come here!
- (GASPS)

46
00:02:54,417 --> 00:02:56,875
- (FISK SHOUTS)
- (GROANING)

47
00:02:57,333 --> 00:02:58,333
(FISK GRUNTS)

48
00:03:00,500 --> 00:03:01,667
- (FISK SHOUTS)
- (LOUD CRASH)

49
00:03:01,750 --> 00:03:03,042
(GROANING)

50
00:03:07,333 --> 00:03:08,833
(MOANING)

51
00:03:09,667 --> 00:03:10,667
- (SHOUTS)
- (GROANS)

52
00:03:11,875 --> 00:03:12,875
(SHOUTS)

53
00:03:13,625 --> 00:03:14,625
(SHOUTS)

54
00:03:19,083 --> 00:03:20,083
- (SHOUTS)
- (GROANS)

55
00:03:20,750 --> 00:03:22,458
(SHOUTING)

56
00:03:23,083 --> 00:03:24,917
(BLOOD SPLATTERING)

57
00:03:27,542 --> 00:03:29,292
(PANTING)

58
00:03:29,875 --> 00:03:31,292
(BREATHING RASPILY)

59
00:03:32,583 --> 00:03:34,583
(PANTING)

60
00:03:40,917 --> 00:03:42,125
(PHONE BEEPS)

61
00:03:43,250 --> 00:03:47,208
Yes, I need a new jacket.
I don't want Maya to...

62
00:03:49,208 --> 00:03:51,625
(TENSE MUSIC PLAYING)

63
00:04:00,167 --> 00:04:01,625
Don't be afraid.

64
00:04:09,958 --> 00:04:11,375
- (THUDS)
- (MAN GROANS)

65
00:04:22,708 --> 00:04:24,875
(BREATHING RASPILY)

66
00:04:30,500 --> 00:04:31,667
FISK: A toast.

67
00:04:31,750 --> 00:04:33,417
(CLASSICAL MUSIC PLAYING)

68
00:04:34,208 --> 00:04:35,208
To your final lesson.

69
00:04:37,000 --> 00:04:38,958
- ASL INTERPRETER 3: Final?
- FISK: Yes.

70
00:04:39,333 --> 00:04:43,917
Well, we'll still have our...
our Sunday evening dinners,

71
00:04:44,500 --> 00:04:46,958
but your tutelage has come to an end.

72
00:04:48,000 --> 00:04:49,125
You're ready.

73
00:04:51,125 --> 00:04:52,625
ASL INTERPRETER 3: For what?

74
00:04:52,958 --> 00:04:56,875
To move from the theoretical
to the practical.

75
00:05:01,125 --> 00:05:02,125
You and I...

76
00:05:03,375 --> 00:05:05,125
we are the only ones we can trust.

77
00:05:07,375 --> 00:05:09,083
That's your final lesson.

78
00:05:15,000 --> 00:05:16,083
You're dismissed.

79
00:05:24,292 --> 00:05:27,792
(CLASSICAL MUSIC RISING)

80
00:05:33,125 --> 00:05:34,309
ASL INTERPRETER 3: I don't know anything.

81
00:05:34,333 --> 00:05:36,083
I won't say anything to anyone.

82
00:05:36,167 --> 00:05:38,083
Please. Please, just let me go. No!

83
00:05:38,167 --> 00:05:39,750
- (MUFFLED GUNSHOT)
- (BODY THUDS)

84
00:05:49,250 --> 00:05:52,250
<i>(BURNING</i>
BY YEAH YEAH YEAHS PLAYING)

85
00:05:55,167 --> 00:05:56,625
SINGER: <i>♪ Believer ♪</i>

86
00:05:58,083 --> 00:06:00,583
<i>♪ Took me over like a fever ♪</i>

87
00:06:02,042 --> 00:06:06,042
<i>♪ Caught you hiding
in the smoke, smoke, smoke ♪</i>

88
00:06:06,125 --> 00:06:09,667
<i>♪ Like a meteor
I glow, glow, glow ♪</i>

89
00:06:09,750 --> 00:06:11,630
<i>♪ What you gonna do
when you get to the water? ♪</i>

90
00:06:11,667 --> 00:06:13,250
<i>♪ Well, I'll release her ♪</i>

91
00:06:14,542 --> 00:06:17,458
<i>♪ From the bindings
of her teachers ♪</i>

92
00:06:18,750 --> 00:06:22,625
<i>♪ What they're hiding there
is broke, broke, broke ♪</i>

93
00:06:22,708 --> 00:06:27,292
<i>♪ Like the River Styx
I flow, flow, flow ♪</i>

94
00:06:28,583 --> 00:06:31,542
<i>♪ What you gonna do
when you get to the water? ♪</i>

95
00:06:32,708 --> 00:06:35,417
<i>♪ What you gonna do
when you get to the water? ♪</i>

96
00:06:37,958 --> 00:06:41,833
<i>♪ Into the sea, out of fire ♪</i>

97
00:06:41,917 --> 00:06:45,875
<i>♪ All that burning ♪</i>

98
00:06:45,958 --> 00:06:50,333
<i>♪ Into the sea, out of fire ♪</i>

99
00:06:50,417 --> 00:06:53,750
<i>♪ All that burning ♪</i>

100
00:07:16,958 --> 00:07:18,583
(<i>BURNING </i>FADES)

101
00:07:21,708 --> 00:07:23,417
(OMINOUS MUSIC PLAYING)

102
00:07:44,750 --> 00:07:45,750
(SIGHS)

103
00:07:58,958 --> 00:08:00,083
FISK: Easy.

104
00:08:06,167 --> 00:08:08,958
(PANTING)

105
00:08:13,958 --> 00:08:15,625
Can we please talk?

106
00:08:19,792 --> 00:08:21,101
AUTOMATED INTERPRETER VOICE:
What the hell is this?

107
00:08:21,125 --> 00:08:22,250
A gift.

108
00:08:25,708 --> 00:08:26,934
AUTOMATED INTERPRETER VOICE:
You can understand what I'm saying?

109
00:08:26,958 --> 00:08:28,042
Yes.

110
00:08:29,083 --> 00:08:31,500
I commissioned a few accessories.

111
00:08:32,667 --> 00:08:36,750
I thought it was important that
we could communicate with no go-between.

112
00:08:40,417 --> 00:08:41,476
AUTOMATED INTERPRETER VOICE:
I thought you were...

113
00:08:41,500 --> 00:08:43,792
Dead? Yes.

114
00:08:44,917 --> 00:08:47,583
Yes, you made that very clear in New York.

115
00:08:48,792 --> 00:08:50,592
AUTOMATED INTERPRETER VOICE:
Why are you here?

116
00:08:59,042 --> 00:09:05,042
I thought that we could have
a Sunday family dinner like we used to.

117
00:09:10,000 --> 00:09:11,680
AUTOMATED INTERPRETER VOICE:
It's Thursday.

118
00:09:12,708 --> 00:09:14,500
(DOOR OPENING AND CLOSING)

119
00:09:18,375 --> 00:09:20,083
(TENSE MUSIC PLAYING)

120
00:09:49,250 --> 00:09:51,375
I'm not angry with you, Maya...

121
00:09:54,000 --> 00:09:55,417
despite...

122
00:09:55,500 --> 00:09:57,458
(ELECTRONIC GEARS SPINNING, BEEPING)

123
00:09:58,917 --> 00:10:01,125
the little souvenir you left me with.

124
00:10:02,750 --> 00:10:03,833
(TAPE PEELING)

125
00:10:03,917 --> 00:10:07,583
But you did what you thought you had to,
just like I taught you.

126
00:10:08,167 --> 00:10:09,750
And I was impressed.

127
00:10:12,500 --> 00:10:18,333
And I think there's a part of you
that's happy that I'm still alive.

128
00:10:20,958 --> 00:10:22,792
(AUTOMATED INTERPRETER VOICE CONTINUES)

129
00:10:22,875 --> 00:10:27,833
But your face, it told another story
just now when you saw me.

130
00:10:30,958 --> 00:10:32,042
Relief.

131
00:10:34,167 --> 00:10:38,958
It hurts that you were so ready
to believe the worst.

132
00:10:39,792 --> 00:10:42,250
You raised a hand to me in violence.

133
00:10:43,250 --> 00:10:44,792
(TSKING)

134
00:10:48,500 --> 00:10:51,125
I thought you saw my actions as heroic.

135
00:10:57,500 --> 00:10:58,708
I always had your back.

136
00:11:00,083 --> 00:11:03,042
Even then, I couldn't stand
when you would get hurt.

137
00:11:12,625 --> 00:11:14,000
That hasn't changed.

138
00:11:17,958 --> 00:11:19,417
(CURTAINS BEING CLOSED)

139
00:11:28,208 --> 00:11:29,917
(SUSPENSEFUL MUSIC PLAYING)

140
00:11:55,958 --> 00:11:57,458
(WINE BEING POURED)

141
00:11:59,167 --> 00:12:00,167
(SLAMS CHAIR)

142
00:12:15,417 --> 00:12:16,417
(CAN OPENS)

143
00:12:20,583 --> 00:12:21,917
(CAN OPENS)

144
00:12:25,583 --> 00:12:27,000
What happened to the Lafite?

145
00:12:35,083 --> 00:12:36,917
It came highly recommended.

146
00:12:39,875 --> 00:12:42,500
Cookies from Levain.
Are they still your favorite?

147
00:12:45,833 --> 00:12:46,917
Good.

148
00:12:50,083 --> 00:12:52,167
Let's hope those don't go
the way of the wine.

149
00:12:59,250 --> 00:13:02,083
It's been a long time
since we've had one of our dinners.

150
00:13:04,667 --> 00:13:06,083
(UTENSILS CLATTERING)

151
00:13:06,167 --> 00:13:07,292
(THUDS)

152
00:13:28,833 --> 00:13:33,250
I told you that you and I
are the only ones we can trust.

153
00:13:34,333 --> 00:13:36,167
I see everything that you are.

154
00:13:37,667 --> 00:13:39,000
I always have.

155
00:13:45,250 --> 00:13:46,667
I have a proposition.

156
00:13:47,333 --> 00:13:49,583
(SINISTER MUSIC SLOWLY BUILDS)

157
00:13:50,958 --> 00:13:54,958
You want an empire? You'll have it.

158
00:13:58,000 --> 00:13:59,250
You can have everything.

159
00:14:02,125 --> 00:14:04,542
All you have to do is come home with me.

160
00:14:19,542 --> 00:14:23,042
I'm leaving to New York this weekend.

161
00:14:23,125 --> 00:14:26,083
Until then, I'm at the Choctaw Casino.

162
00:14:28,500 --> 00:14:29,792
I'll be waiting for you.

163
00:14:34,958 --> 00:14:36,500
I hope you're on that plane.

164
00:14:46,250 --> 00:14:47,292
Think about it.

165
00:14:49,750 --> 00:14:50,750
(DOOR CLOSES)

166
00:15:26,458 --> 00:15:28,618
(<i>THAT EMPTY FEELING</i> BY RONNIE DOVE
PLAYING ON SPEAKERS)

167
00:15:33,583 --> 00:15:34,667
(SHAKY EXHALE)

168
00:16:28,792 --> 00:16:29,875
(SIGHS)

169
00:16:59,792 --> 00:17:01,912
(<i>SING TO ME </i>BY KALLIE JEAN
PLAYING OVER LOUD SPEAKERS)

170
00:17:10,375 --> 00:17:12,500
(LIVELY CHATTER)

171
00:17:18,417 --> 00:17:20,667
Pass me one of those bulbs, would ya?

172
00:17:21,708 --> 00:17:22,708
Sure thing.

173
00:17:25,167 --> 00:17:26,625
(MYSTERIOUS MUSIC PLAYING)

174
00:17:29,958 --> 00:17:32,542
(DISCORDANT SOUNDS AND MUSIC)

175
00:17:35,292 --> 00:17:36,458
CAROLINE: Chula?

176
00:17:40,000 --> 00:17:41,042
(SCREECHES)

177
00:17:41,875 --> 00:17:42,875
Maya!

178
00:17:44,625 --> 00:17:45,667
(SCREAMS)

179
00:17:46,625 --> 00:17:47,667
(PANTING)

180
00:17:47,750 --> 00:17:48,958
(CRACKLING)

181
00:17:51,917 --> 00:17:54,458
(CHOCTAW MUSIC PLAYING)

182
00:18:01,833 --> 00:18:03,792
- Maya, are you okay?
- (GASPING)

183
00:18:04,333 --> 00:18:06,250
Maya? Maya!

184
00:18:06,792 --> 00:18:08,875
Come on, Maya, stay with me. Ma...

185
00:18:09,208 --> 00:18:10,708
- (ENGINE REVVING)
- (TIRES SCREECHING)

186
00:18:10,792 --> 00:18:12,958
(DRAMATIC MUSIC PLAYING)

187
00:18:26,875 --> 00:18:27,917
(GASPS)

188
00:18:28,000 --> 00:18:29,750
(BREATHING HEAVILY)

189
00:19:02,625 --> 00:19:03,625
(CAR DOOR SLAMS SHUT)

190
00:19:08,500 --> 00:19:10,375
(EMOTIONAL MUSIC PLAYING)

191
00:19:12,292 --> 00:19:13,333
(SIGHS)

192
00:19:43,917 --> 00:19:44,917
(DOOR CLOSES)

193
00:19:45,000 --> 00:19:46,250
(WIND CHIMES RING)

194
00:20:38,792 --> 00:20:39,958
(SIGHS)

195
00:22:05,250 --> 00:22:06,250
(HEART MONITOR BEEPING)

196
00:22:22,917 --> 00:22:24,417
(GROANING, PANTING)

197
00:22:30,500 --> 00:22:32,208
(BREATHING DEEPLY)

198
00:22:33,792 --> 00:22:36,333
(STRAINING)

199
00:22:36,417 --> 00:22:39,000
(PANTING)

200
00:22:50,250 --> 00:22:51,958
(GASPING)

201
00:22:52,833 --> 00:22:53,917
(LOW RUMBLE)

202
00:22:57,667 --> 00:22:59,833
(EMOTIONAL MUSIC SWELLS)

203
00:23:05,083 --> 00:23:09,417
(ENERGY HUMMING)

204
00:23:10,833 --> 00:23:12,833
(STEADY BREATHING)

205
00:23:28,250 --> 00:23:29,583
(WATER TRICKLING)

206
00:23:47,292 --> 00:23:50,083
(YOUNG CHULA PANTING, GRUNTING)

207
00:24:03,917 --> 00:24:06,542
(BABY CRYING)

208
00:24:08,250 --> 00:24:09,917
(CHULA)

209
00:26:22,333 --> 00:26:23,583
(WHIMPERS)

210
00:26:26,083 --> 00:26:27,083
(SLAMS)

211
00:26:29,292 --> 00:26:32,750
(HEAVY BREATHING)

212
00:26:34,083 --> 00:26:35,583
(DOOR OPENING AND SLAMMED SHUT)

213
00:26:43,958 --> 00:26:45,250
(CAR ENGINE REVVING)

214
00:26:48,042 --> 00:26:50,625
(TRUCK DRIVING AWAY)

215
00:26:54,167 --> 00:26:55,708
- (CHULA SIGHS)
- (LIGHT SWITCH CLICKS)

216
00:27:12,000 --> 00:27:14,583
<i>(DOWN TO THE RIVER TO PRAY</i>
BY ALISON KRAUSS PLAYING)

217
00:27:14,667 --> 00:27:18,333
<i>♪ As I went down in the river to pray ♪</i>

218
00:27:18,417 --> 00:27:21,708
<i>♪ Studying about that good old way ♪</i>

219
00:27:21,792 --> 00:27:25,333
- (SOBBING SOFTLY)
<i>- ♪ And who shall wear the starry crown ♪</i>

220
00:27:25,417 --> 00:27:28,958
<i>♪ Good Lord, show me the way ♪</i>

221
00:27:30,125 --> 00:27:33,667
<i>♪ Oh, sisters, let's go down ♪</i>

222
00:27:33,750 --> 00:27:37,625
<i>♪ Let's go down
Come on down ♪</i>

223
00:27:37,708 --> 00:27:41,042
<i>♪ Oh, sisters, let's go down ♪</i>

224
00:27:41,125 --> 00:27:44,500
<i>♪ Down in the river to pray... ♪</i>

225
00:27:46,000 --> 00:27:48,917
BISCUITS: Yeah, I'd say there's
something here to fix <i>Pokni's</i> truck.

226
00:27:49,000 --> 00:27:51,667
WOODY:
"Everything the light touches is yours."

227
00:27:53,875 --> 00:27:55,375
Isn't that from <i>Lion King?</i>

228
00:27:56,542 --> 00:27:58,875
It's different, but it's the same.

229
00:28:00,458 --> 00:28:02,292
Do you know what you're looking for?

230
00:28:03,333 --> 00:28:04,833
I'll know when I find it.

231
00:28:04,917 --> 00:28:08,042
Chula always says,
"There's nothing too broke to fix.

232
00:28:08,125 --> 00:28:11,125
If you want it bad enough,
don't throw it away."

233
00:28:14,208 --> 00:28:15,292
Don't get lost.

234
00:28:15,375 --> 00:28:18,875
<i>♪ Oh, brothers, let's go down ♪</i>

235
00:28:18,958 --> 00:28:22,792
<i>♪ Let's go down
Come on down ♪</i>

236
00:28:22,875 --> 00:28:26,375
<i>♪ Come on, brothers, let's go down ♪</i>

237
00:28:26,458 --> 00:28:29,833
<i>♪ Down in the river to pray ♪</i>

238
00:28:30,625 --> 00:28:34,333
<i>♪ As I went down in the river to pray ♪</i>

239
00:28:34,417 --> 00:28:37,458
<i>♪ Studying about that good old way ♪</i>

240
00:28:37,542 --> 00:28:41,167
<i>♪ And who shall wear the starry crown ♪</i>

241
00:28:41,250 --> 00:28:44,833
<i>♪ Good Lord, show me the way ♪</i>

242
00:28:49,917 --> 00:28:51,000
(MALLET TAPPING)

243
00:28:54,542 --> 00:28:58,208
<i>♪ Oh, sinners, let's go down ♪</i>

244
00:28:58,292 --> 00:29:02,042
<i>♪ Let's go down
Come on down ♪</i>

245
00:29:02,125 --> 00:29:05,667
<i>♪ Oh, sinners, let's go down ♪</i>

246
00:29:05,750 --> 00:29:09,500
<i>♪ Down in the river to pray ♪</i>

247
00:29:16,292 --> 00:29:20,000
<i>♪ As I went down in the river to pray ♪</i>

248
00:29:20,083 --> 00:29:23,167
<i>♪ Studying about that good old way ♪</i>

249
00:29:23,250 --> 00:29:26,958
<i>♪ And who shall wear the robe and crown ♪</i>

250
00:29:27,042 --> 00:29:32,333
<i>♪ Good Lord, show me the way ♪</i>

251
00:29:34,750 --> 00:29:37,792
I suspect you've come to kill me.

252
00:29:38,792 --> 00:29:39,792
Again.

253
00:29:52,292 --> 00:29:54,458
I can't remember a time...

254
00:29:56,167 --> 00:29:58,958
when I haven't loved you
like a daughter.

255
00:30:00,000 --> 00:30:03,667
We only had each other.

256
00:30:03,750 --> 00:30:04,917
Don't you remember?

257
00:30:07,167 --> 00:30:08,727
(AUTOMATED INTERPRETER VOICE CONTINUES)

258
00:30:12,542 --> 00:30:13,625
FISK: A monster.

259
00:30:16,833 --> 00:30:20,292
You knew what you were part of
at every turn.

260
00:30:21,708 --> 00:30:23,833
All the people you killed for me,

261
00:30:25,042 --> 00:30:27,208
did you plead for their lives?

262
00:30:29,542 --> 00:30:30,542
I ask you...

263
00:30:32,875 --> 00:30:34,000
who's the monster?

264
00:30:48,167 --> 00:30:49,917
I was there for you!

265
00:30:54,292 --> 00:30:56,417
I know now that I failed you.

266
00:30:59,958 --> 00:31:01,917
The same as my father failed me.

267
00:31:05,667 --> 00:31:07,250
(SINISTER MUSIC PLAYING)

268
00:31:07,333 --> 00:31:08,875
I keep this with me.

269
00:31:11,875 --> 00:31:16,458
It's to remind myself
of where I come from,

270
00:31:21,208 --> 00:31:24,458
and what I had to do to get there.

271
00:31:31,167 --> 00:31:34,333
It's something
that I wanna pass on to you.

272
00:31:39,042 --> 00:31:43,708
My father felt stronger
when he beat my mother,

273
00:31:46,917 --> 00:31:53,000
until I got strong enough
to stop him with that.

274
00:32:11,958 --> 00:32:14,542
I killed him to be free.

275
00:32:16,625 --> 00:32:18,708
To move forward in my life.

276
00:32:21,333 --> 00:32:22,833
So, enough games.

277
00:32:27,250 --> 00:32:29,875
Here. Free yourself.

278
00:32:29,958 --> 00:32:31,167
Go ahead.

279
00:32:33,750 --> 00:32:34,792
Free me!

280
00:32:41,375 --> 00:32:43,542
(SINISTER MUSIC BUILDS)

281
00:32:51,292 --> 00:32:52,292
(HAMMER THUDS)

282
00:32:57,333 --> 00:33:02,792
You and I, Maya, we've come full circle.

283
00:33:06,542 --> 00:33:10,292
In the morning, come home.

284
00:33:12,083 --> 00:33:13,542
(DRAMATIC MUSIC PLAYING)

285
00:33:43,792 --> 00:33:46,083
- (SOUND FADES)
- (MUSIC RISES)

286
00:33:46,167 --> 00:33:47,250
(INAUDIBLE)

287
00:33:47,333 --> 00:33:49,667
(SINGLE HEART BEATING)

288
00:33:49,750 --> 00:33:52,583
(INAUDIBLE)

289
00:33:59,042 --> 00:34:02,375
(DISCORDANT SOUNDS SLOWLY BUILD)

290
00:34:18,208 --> 00:34:20,375
(DETERMINED MUSIC PLAYING)

291
00:34:23,625 --> 00:34:25,167
(MOTORCYCLE REVVING)

292
00:34:45,250 --> 00:34:46,292
Yes.

293
00:34:46,375 --> 00:34:47,833
MAN: (ON PHONE) <i>I'm sorry, Mr. Fisk.</i>

294
00:34:48,250 --> 00:34:50,583
<i>We tailed her, but she's gone.</i>

295
00:34:54,208 --> 00:34:56,333
(TENSE MUSIC PLAYING)

296
00:35:04,333 --> 00:35:07,375
(ELECTRONIC GEARS SPINNING, BEEPING)

297
00:35:15,833 --> 00:35:16,833
(SHOUTS)

298
00:35:19,125 --> 00:35:21,925
(<i>BREAD &amp; CHEESE FEATURING BLACK BEAR</i>
BY THE HALLUCI NATION PLAYING)