1
00:00:12,292 --> 00:00:13,292
(SKULLY SPEAKING)

2
00:00:16,292 --> 00:00:17,875
(IN CHOCTAW)

3
00:00:21,083 --> 00:00:22,083
(WILLIAM SPEAKING)

4
00:00:34,167 --> 00:00:35,167
(MOTORCYCLE ROARS)

5
00:00:35,250 --> 00:00:36,542
BONNIE: <i>Maya is here?</i>

6
00:00:36,625 --> 00:00:38,083
Biscuits, where is she?

7
00:00:38,917 --> 00:00:40,542
<i>You look familiar. How come?</i>

8
00:00:41,083 --> 00:00:42,167
(PHONE KEYS CLICKING)

9
00:00:44,167 --> 00:00:45,292
Maya's back.

10
00:00:45,375 --> 00:00:48,583
<i>Encourage her to pass through town
without causing any trouble.</i>

11
00:00:48,667 --> 00:00:49,667
(TRAIN HORN)

12
00:00:52,125 --> 00:00:53,375
(RAPID BEEPING)

13
00:00:53,458 --> 00:00:55,833
(EXPLOSION)

14
00:01:02,750 --> 00:01:03,750
(GUN SHOTS)

15
00:01:10,417 --> 00:01:12,333
(VINTAGE STYLE MUSIC PLAYING)

16
00:01:13,458 --> 00:01:14,917
(FILM PROJECTOR SPINNING)

17
00:01:36,000 --> 00:01:38,000
(ROUSING MUSIC PLAYING)

18
00:01:38,083 --> 00:01:40,542
(HORSE HOOVES CLOPPING)

19
00:02:29,333 --> 00:02:30,333
(SAD MUSIC PLAYING)

20
00:02:59,458 --> 00:03:01,500
(RUNNING WATER)

21
00:03:03,875 --> 00:03:05,708
(PENSIVE MUSIC PLAYING)

22
00:03:29,333 --> 00:03:31,625
(ROUSING MUSIC SWELLING)

23
00:03:55,375 --> 00:03:57,917
(SUSPENSEFUL MUSIC PLAYING)

24
00:04:09,333 --> 00:04:10,573
(SUSPENSEFUL MUSIC INTENSIFIES)

25
00:04:27,042 --> 00:04:28,125
(RUNNING WATER)

26
00:04:29,250 --> 00:04:31,833
(SOUND AND MUSIC SLOWLY INTENSIFY)

27
00:04:36,292 --> 00:04:41,167
(DISCORDANT SOUNDS AND MUSIC)

28
00:04:47,625 --> 00:04:48,917
(GUN SHOTS)

29
00:04:51,083 --> 00:04:52,375
(WAR CRY)

30
00:04:54,500 --> 00:04:56,583
(MEN GRUNTING)

31
00:04:58,542 --> 00:05:00,208
(HEROIC MUSIC PLAYING)

32
00:05:05,125 --> 00:05:06,500
(BODY THUDS)

33
00:05:06,583 --> 00:05:08,583
- (WAR CRIES)
- (MAN GRUNTS)

34
00:05:10,042 --> 00:05:11,583
(GUN FIRES)

35
00:05:17,417 --> 00:05:18,458
(GROANS)

36
00:05:21,375 --> 00:05:23,708
(WAR CRY)

37
00:05:28,667 --> 00:05:29,917
(FILM FLUTTERING OUT)

38
00:05:30,000 --> 00:05:31,917
<i>(BURNING</i>
BY YEAH YEAH YEAHS PLAYING)

39
00:05:36,125 --> 00:05:37,583
SINGER: <i>♪ Believer ♪</i>

40
00:05:39,042 --> 00:05:41,542
<i>♪ Took me over like a fever ♪</i>

41
00:05:43,208 --> 00:05:47,000
<i>♪ Caught you hiding
in the smoke, smoke, smoke ♪</i>

42
00:05:47,083 --> 00:05:50,958
<i>♪ Like a meteor
I glow, glow, glow ♪</i>

43
00:05:51,042 --> 00:05:52,601
<i>♪ What you gonna do
when you get to the water? ♪</i>

44
00:05:52,625 --> 00:05:54,208
<i>♪ Well, I'll release her ♪</i>

45
00:05:55,583 --> 00:05:58,417
<i>♪ From the bindings
of her teachers ♪</i>

46
00:05:59,708 --> 00:06:03,583
<i>♪ What they're hiding there
is broke, broke, broke ♪</i>

47
00:06:03,667 --> 00:06:08,250
<i>♪ Like the River Styx
I flow, flow, flow ♪</i>

48
00:06:09,542 --> 00:06:12,500
<i>♪ What you gonna do
when you get to the water? ♪</i>

49
00:06:13,667 --> 00:06:16,375
<i>♪ What you gonna do
when you get to the water? ♪</i>

50
00:06:18,917 --> 00:06:22,792
<i>♪ Into the sea, out of fire ♪</i>

51
00:06:22,875 --> 00:06:26,833
<i>♪ All that burning ♪</i>

52
00:06:26,917 --> 00:06:31,292
<i>♪ Into the sea, out of fire ♪</i>

53
00:06:31,375 --> 00:06:34,708
<i>♪ All that burning ♪</i>

54
00:06:58,125 --> 00:06:59,542
<i>(BURNING</i> FADES)

55
00:07:02,250 --> 00:07:04,250
(DOORBELL RINGING)

56
00:07:06,833 --> 00:07:08,500
(BUZZER SOUNDS)

57
00:07:08,583 --> 00:07:09,583
<i>Yakoke.</i>

58
00:07:11,042 --> 00:07:12,750
(<i>DREAMER </i>BY JOYCE HARRIS
PLAYING ON STEREO)

59
00:07:26,792 --> 00:07:27,917
(SKULLY CLEARS THROAT)

60
00:07:32,458 --> 00:07:34,218
(SCOFFS, IN ENGLISH)
Don't give me that look.

61
00:07:34,292 --> 00:07:37,333
Well, <i>halito</i> to you too, Chula.

62
00:07:38,500 --> 00:07:39,917
(SPEAKING CHOCTAW)

63
00:07:40,000 --> 00:07:41,500
(IN ENGLISH) I'm just fine.

64
00:07:41,583 --> 00:07:43,667
Well, you could do better than that.

65
00:07:45,792 --> 00:07:47,000
Why don't we, uh,

66
00:07:47,833 --> 00:07:49,083
go into my office?

67
00:07:50,167 --> 00:07:51,393
(SPEAKING CHOCTAW)
Do you want to eat?

68
00:07:51,417 --> 00:07:52,542
(IN ENGLISH) Cut the crap.

69
00:07:52,625 --> 00:07:55,875
I didn't come here to get leg-humped
by some old rez dog like you.

70
00:07:55,958 --> 00:07:59,708
Ah, you used to melt like butter
when I talked Indian to you.

71
00:08:00,833 --> 00:08:02,583
That was a long time ago.

72
00:08:03,000 --> 00:08:05,000
Doesn't have to be like that now.

73
00:08:08,917 --> 00:08:10,167
Maya's back.

74
00:08:13,042 --> 00:08:15,792
Yeah, I thought that might
have something to do with it.

75
00:08:17,542 --> 00:08:18,542
Come on in.

76
00:08:29,667 --> 00:08:31,292
Go sit over there.

77
00:08:32,792 --> 00:08:35,167
But that old chair hurts my back,
you know?

78
00:08:35,333 --> 00:08:37,542
(GROANS SOFTLY) What's this?

79
00:08:38,917 --> 00:08:41,708
CHULA: Biscuits near totaled my truck
doing who knows what.

80
00:08:41,792 --> 00:08:43,292
He's covering for Maya.

81
00:08:45,000 --> 00:08:46,792
She's bringing trouble with her.

82
00:08:47,750 --> 00:08:49,708
And now Biscuits is caught up in it.

83
00:08:53,500 --> 00:08:54,917
She's too much like her father.

84
00:08:55,292 --> 00:08:57,500
You don't know that.
You don't even know her.

85
00:08:57,583 --> 00:08:58,583
And you do?

86
00:08:59,125 --> 00:09:02,167
You haven't seen her any more
than I have in the last 20 years.

87
00:09:06,292 --> 00:09:08,125
(SCOFFS) Oh really?

88
00:09:08,667 --> 00:09:09,833
What's she up to, then?

89
00:09:10,958 --> 00:09:12,318
(CLEARS THROAT) Not for me to say.

90
00:09:12,833 --> 00:09:14,000
Why don't you ask her?

91
00:09:15,375 --> 00:09:16,417
Not likely.

92
00:09:17,250 --> 00:09:19,125
- (CLICKS)
- (MUSIC STOPS)

93
00:09:19,208 --> 00:09:22,083
You know, you two are exactly alike.

94
00:09:22,167 --> 00:09:24,333
We are not alike.

95
00:09:25,958 --> 00:09:28,875
Everything I've done
has been to protect my family,

96
00:09:28,958 --> 00:09:30,333
however much it hurt.

97
00:09:31,042 --> 00:09:32,500
You lost your daughter.

98
00:09:33,542 --> 00:09:37,083
Why don't you just swallow your pride
before you lose your granddaughter, too?

99
00:09:39,208 --> 00:09:40,625
I can't talk to her now.

100
00:09:42,167 --> 00:09:43,500
I got nothing to say.

101
00:09:45,167 --> 00:09:46,167
(SIGHS)

102
00:09:46,375 --> 00:09:50,042
Well, maybe you shouldn't talk to her.
Maybe you should just listen for once.

103
00:09:50,125 --> 00:09:52,792
(EMOTIONAL MUSIC PLAYING)

104
00:10:01,958 --> 00:10:05,000
- (DOOR OPENS AND CLOSES)
- (SIGHS)

105
00:10:08,000 --> 00:10:09,875
ZANE: (OVER PHONE)
<i>Don't disappoint me, Vickie.</i>

106
00:10:09,958 --> 00:10:13,208
<i>Your intel won't be worth
jack shit if she's gone.</i>

107
00:10:13,292 --> 00:10:15,917
Zane, I promise you, man. Maya's here.

108
00:10:16,000 --> 00:10:17,542
<i>We're still a few hours out.</i>

109
00:10:17,625 --> 00:10:20,208
<i>Tonight, have her ready. Wait for my call.</i>

110
00:10:20,292 --> 00:10:21,292
(CALL DISCONNECTS)

111
00:10:23,875 --> 00:10:26,125
(OMINOUS MUSIC PLAYING)

112
00:10:34,917 --> 00:10:36,250
(BIRDS CHIRPING)

113
00:10:46,000 --> 00:10:47,000
(FOOTSTEPS)

114
00:10:48,958 --> 00:10:49,958
(GASPS)

115
00:10:51,500 --> 00:10:53,792
- (DISCORDANT MUSIC)
- (MYSTERIOUS SOUNDS)

116
00:11:01,250 --> 00:11:02,292
(INDISTINCT SOUND)

117
00:11:03,667 --> 00:11:05,833
(GRUNTING)

118
00:11:14,125 --> 00:11:16,208
(MYSTERIOUS MUSIC PLAYING)

119
00:11:24,458 --> 00:11:26,583
(RATTLING)

120
00:11:33,125 --> 00:11:34,292
(GRUNTS)

121
00:11:38,292 --> 00:11:40,417
(SOUNDS AND MUSIC SLOWLY FADE)

122
00:11:44,167 --> 00:11:46,167
(SINGLE HEART BEATING)

123
00:11:53,417 --> 00:11:55,617
- (SINGLE HEART BEAT CONTINUES)
- (INAUDIBLE CONVERSATION)

124
00:12:07,333 --> 00:12:09,125
VICKIE: One, two, three.

125
00:12:09,208 --> 00:12:11,625
- GRACE: God, give me a hand.
- VICKIE: I am.

126
00:12:20,208 --> 00:12:21,417
(SCOFFS)

127
00:12:24,750 --> 00:12:27,458
- VICKIE: One of youse gotta babysit her.
- GRACE: Or you could.

128
00:12:27,542 --> 00:12:30,208
No. I gotta be out front
when he gets here.

129
00:12:30,292 --> 00:12:31,667
I'm the man on the inside.

130
00:12:31,750 --> 00:12:34,268
All you gotta do is sit outside that door.
What are you, scared?

131
00:12:34,292 --> 00:12:37,250
BRIGITTE: I will babysit her
since you two are too chickenshit.

132
00:12:37,333 --> 00:12:39,208
GRACE: Fine. Have fun.

133
00:12:46,750 --> 00:12:50,208
(TENSE MUSIC BUILDING)

134
00:12:53,667 --> 00:12:55,042
(CRICKETS CHIRPING)

135
00:13:02,833 --> 00:13:04,667
(DOOR RATTLES)

136
00:13:04,750 --> 00:13:05,750
(KNOCKING)

137
00:13:07,583 --> 00:13:09,292
(KNOCKING CONTINUES)

138
00:13:11,833 --> 00:13:12,833
Hello?

139
00:13:12,917 --> 00:13:15,375
- (MUFFLED SCREAM)
- Shut up. Shut up.

140
00:13:39,833 --> 00:13:41,333
(DOOR GROANS)

141
00:13:41,417 --> 00:13:42,417
Uncle Henry?

142
00:13:47,833 --> 00:13:48,958
Uncle Henry?

143
00:14:00,875 --> 00:14:03,167
- Hey.
- Hey. I tried the front.

144
00:14:03,542 --> 00:14:04,542
Yeah. Sorry.

145
00:14:04,958 --> 00:14:08,333
Um, not a good time. Pretty busy.

146
00:14:09,500 --> 00:14:11,917
I won't take very long. I...

147
00:14:12,000 --> 00:14:14,042
I just have some questions I wanna ask.

148
00:14:14,125 --> 00:14:17,167
- Uh, privately.
- How about you call me tomorrow?

149
00:14:17,250 --> 00:14:21,708
The rink's being audited by the IRS,
and I'm just swimming in paperwork.

150
00:14:24,667 --> 00:14:27,625
Yikes, the IRS?
Is there anything I can do?

151
00:14:28,917 --> 00:14:30,000
No no no. I'm good.

152
00:14:31,417 --> 00:14:34,958
Probably shouldn't have deducted all
that mileage on all those pairs of skates.

153
00:14:35,042 --> 00:14:36,333
(BONNIE CHUCKLES)

154
00:14:36,417 --> 00:14:38,833
I'll, uh... I'll leave you to it.

155
00:14:39,708 --> 00:14:42,167
Appreciate it. Night, Bonnie.

156
00:14:47,125 --> 00:14:48,750
(DOOR OPENS AND CLOSES)

157
00:14:49,583 --> 00:14:52,333
What the hell was that? Huh?
Did you know she was coming around?

158
00:14:52,417 --> 00:14:54,750
- Uh-uh.
- Are more people coming around here? Go.

159
00:14:58,792 --> 00:15:00,250
(SUSPENSEFUL MUSIC PLAYING)

160
00:15:06,208 --> 00:15:07,208
(WALKIE TALKIE BEEP)

161
00:15:07,333 --> 00:15:09,417
Dispatch? Dispatch, this... (GASPS)

162
00:15:09,500 --> 00:15:10,875
(CHAINS RATTLE)

163
00:15:13,750 --> 00:15:15,125
(TENSE MUSIC PLAYING)

164
00:15:23,500 --> 00:15:24,750
(DOOR OPENING)

165
00:15:25,500 --> 00:15:27,167
VICKIE: Get in here.

166
00:15:27,250 --> 00:15:28,250
(BONNIE GROANS)

167
00:15:36,542 --> 00:15:37,583
(DOOR SHUTTING)

168
00:15:54,917 --> 00:15:56,750
(SIGHS)

169
00:15:58,500 --> 00:15:59,500
(SCOFFS)

170
00:16:08,833 --> 00:16:09,917
(HIDDEN BLADE OPENING)

171
00:16:10,000 --> 00:16:11,792
(DETERMINED MUSIC PLAYING)

172
00:16:46,958 --> 00:16:49,000
BRIGITTE: I'm doin' it.
I'm doin' it. Whoa.

173
00:17:59,667 --> 00:18:02,500
Come on, Vickie.
Let me smooth things out with Maya.

174
00:18:03,042 --> 00:18:04,792
Tell her it was a misunderstanding.

175
00:18:04,875 --> 00:18:06,958
That way, if you leave now,

176
00:18:08,250 --> 00:18:09,833
you got nothing to worry about.

177
00:18:13,042 --> 00:18:15,333
Only person
with anything to worry about is her.

178
00:18:17,083 --> 00:18:18,167
What did you do?

179
00:18:18,625 --> 00:18:21,250
No. Maya brought this on herself,
coming home.

180
00:18:21,333 --> 00:18:23,292
Alls I did was accelerate the process.

181
00:18:23,375 --> 00:18:24,625
You called someone?

182
00:18:25,250 --> 00:18:27,167
Yeah, well, here's the thing, Henry.

183
00:18:27,250 --> 00:18:29,875
I ain't taking orders no more.
Not from you.

184
00:18:30,500 --> 00:18:33,000
There's still a chance
for you to get out of this alive.

185
00:18:33,083 --> 00:18:36,542
You really think he's gonna pay you
and then just let you walk out of here?

186
00:18:39,333 --> 00:18:40,458
If I was you, Henry,

187
00:18:40,542 --> 00:18:43,417
I would have turned her in myself,
collect that bounty.

188
00:18:43,917 --> 00:18:46,250
You left it up for grabs and I'm grabbing.

189
00:18:47,917 --> 00:18:49,000
GRACE: Vickie!

190
00:18:49,750 --> 00:18:51,583
Come on, Vickie.
I swear I heard something.

191
00:18:51,667 --> 00:18:52,708
They might be loose.

192
00:18:52,792 --> 00:18:55,000
VICKIE: Alright. Quickly, though.
He's almost here.

193
00:18:58,458 --> 00:19:01,875
(SOUNDS AND MUSIC SLOWLY FADE)

194
00:19:01,958 --> 00:19:04,917
(SINGLE HEART BEATING)

195
00:19:11,208 --> 00:19:12,208
(SOUND RETURNS)

196
00:19:12,292 --> 00:19:14,333
GRACE: Her zip ties.
Told you I heard something.

197
00:19:14,417 --> 00:19:16,250
VICKIE: Whoa, whoa whoa whoa.
Don't shoot her.

198
00:19:16,333 --> 00:19:19,167
If she's dead when they get here,
we ain't getting paid.

199
00:19:19,250 --> 00:19:20,750
Hey. Guns down.

200
00:19:20,833 --> 00:19:21,833
I can talk to her.

201
00:19:22,958 --> 00:19:23,958
Please.

202
00:19:24,042 --> 00:19:25,458
Gun down, Grace!

203
00:19:27,583 --> 00:19:28,583
Come on.

204
00:19:29,333 --> 00:19:31,792
GRACE: Tell your gimpy friend
to put her zip ties back on.

205
00:19:34,292 --> 00:19:35,292
VICKIE: Hey, hey!

206
00:19:35,375 --> 00:19:36,935
BRIGITTE: Do not assume incompetence...

207
00:19:38,083 --> 00:19:39,563
VICKIE: Wh-What is she saying to her?

208
00:19:41,667 --> 00:19:43,867
VICKIE: They weren't supposed
to be fighting each other.

209
00:19:44,750 --> 00:19:47,042
GRACE: Hurry up, go.
VICKIE: No, we need her alive.

210
00:19:47,125 --> 00:19:49,250
Let's get out of here. Come on.

211
00:19:55,833 --> 00:19:58,000
(GASPING)

212
00:20:00,708 --> 00:20:03,250
(BREATHING HEAVILY) I think we gotta
go back in and hog-tie her.

213
00:20:03,333 --> 00:20:05,208
No, it's not worth the trouble.

214
00:20:05,292 --> 00:20:07,452
- (PHONE VIBRATES)
- BRIDGETTE: The door's locked anyway.

215
00:20:08,333 --> 00:20:09,333
They're here.

216
00:20:10,542 --> 00:20:11,542
Okay...

217
00:20:11,625 --> 00:20:14,583
- Throw her back in there, too?
- No. She's coming with us.

218
00:20:16,208 --> 00:20:17,375
Come on.

219
00:20:17,458 --> 00:20:20,458
- Alright. Have fun.
- Let's go. I got her. I got her.

220
00:20:26,542 --> 00:20:30,000
(PANTING)

221
00:20:30,083 --> 00:20:33,292
(ROUSING MUSIC PLAYING)

222
00:20:54,000 --> 00:20:55,500
You're the guy, then?

223
00:20:55,583 --> 00:20:57,750
Yeah, I'm the guy. Vickie.

224
00:20:58,208 --> 00:21:01,333
Vickie? Nice to see your face
at last, I guess.

225
00:21:01,833 --> 00:21:03,458
We come a very long way.

226
00:21:03,542 --> 00:21:08,625
So, for your sake, I hope the information
you've been texting is legit.

227
00:21:09,583 --> 00:21:10,750
See, uh...

228
00:21:11,542 --> 00:21:14,667
I don't like being played with, Vickie.

229
00:21:16,125 --> 00:21:17,792
Guaranteed, it's the real deal.

230
00:21:19,083 --> 00:21:20,500
Assuming you brought that money.

231
00:21:20,583 --> 00:21:24,583
Oh. No. We got protocols, right?

232
00:21:25,667 --> 00:21:29,875
I keeps the money safe
while I assesses the situation.

233
00:21:31,167 --> 00:21:33,667
You don't think I'd walk in
with the money, do you?

234
00:21:35,500 --> 00:21:36,500
'Course not.

235
00:21:38,833 --> 00:21:39,958
You work here?

236
00:21:41,000 --> 00:21:42,167
VICKIE: Yeah.

237
00:21:43,333 --> 00:21:45,792
Wow. It's lush.

238
00:21:48,208 --> 00:21:49,917
You are a lucky bastard.

239
00:21:50,542 --> 00:21:55,792
I tell you what, boys,
when the gig's done, Ring Pops on me.

240
00:21:57,250 --> 00:21:58,875
You can hook us up, right, brah?

241
00:22:00,958 --> 00:22:03,042
Fan out, boys. She's here somewhere.

242
00:22:03,125 --> 00:22:05,417
See, I was thinking,
you show me that money first

243
00:22:05,500 --> 00:22:07,000
and make sure it's all there.

244
00:22:07,083 --> 00:22:09,917
- Like, I need to know that you have it.
- (INDISTINCT CHATTER)

245
00:22:12,292 --> 00:22:13,917
(ROUSING MUSIC RESUMES)

246
00:22:27,958 --> 00:22:29,542
(LASER TRILLS)

247
00:22:31,583 --> 00:22:33,000
(WHIRS)

248
00:22:33,667 --> 00:22:37,208
WOMAN: (ON VIDEO) <i>...for their own safety</i>
<i>and self-defense in an uncertain America.</i>

249
00:22:37,292 --> 00:22:41,375
<i>Today, hostage negotiations.
I'll jump right in.</i>

250
00:22:41,458 --> 00:22:44,625
<i>You need to keep yourself alert
and aware of your surroundings</i>

251
00:22:44,708 --> 00:22:47,375
<i>and any
and all potential threats at all times.</i>

252
00:22:47,458 --> 00:22:51,542
<i>And remember, do not assume incompetence
when dealing with an unknown kidnapper.</i>

253
00:22:51,625 --> 00:22:54,958
<i>Instead, take precautions on a number
of levels to protect yourself</i>

254
00:22:55,042 --> 00:22:56,042
(CHAIR SQUEAKS)

255
00:22:56,125 --> 00:23:00,000
<i>and any bystanders
from a multitude of deadly possibilities.</i>

256
00:23:00,083 --> 00:23:01,333
<i>What does your kidnapper...</i>

257
00:23:01,417 --> 00:23:02,875
- (GLASS SHATTERING)
- (GASPING)

258
00:23:04,583 --> 00:23:07,375
<i>or her path without doing further harm.</i>

259
00:23:07,458 --> 00:23:08,542
<i>Signing off.</i>

260
00:23:08,625 --> 00:23:10,125
<i>This is Esther of Militia Mommies.</i>

261
00:23:10,208 --> 00:23:12,333
<i>Please smash "like" and "subscribe" below.</i>

262
00:23:17,542 --> 00:23:18,542
Where you at?

263
00:23:25,167 --> 00:23:27,625
Come on, now. Don't make...

264
00:23:29,042 --> 00:23:30,208
What the...

265
00:23:30,292 --> 00:23:31,542
- (WHOOSHING)
- (GRUNTS AND YELLS)

266
00:23:33,125 --> 00:23:35,000
(THUDS)

267
00:23:37,333 --> 00:23:39,292
Okay, so, here's what I'm thinking.

268
00:23:39,375 --> 00:23:41,542
Um, so, you grab the money, and then...

269
00:23:41,625 --> 00:23:44,417
Vickie. What the hell, man?

270
00:23:45,458 --> 00:23:48,208
We're supposed to be makin' a deal,
not giving them the grand tour.

271
00:23:48,292 --> 00:23:50,333
Can you let me handle this, Grace?

272
00:23:50,417 --> 00:23:52,833
Looks like you're lettin'
this guy handle it.

273
00:23:53,292 --> 00:23:54,458
What's up, kitty cat?

274
00:23:58,375 --> 00:24:03,125
Ah, looky, looky.
Is that Henry Black Crow Lopez?

275
00:24:03,208 --> 00:24:05,542
Surprised to see me?
Look at you all tied up.

276
00:24:05,625 --> 00:24:07,250
Let me talk. It'll be okay.

277
00:24:08,208 --> 00:24:09,917
How'd you get jammed up like this?

278
00:24:12,042 --> 00:24:14,208
You got something to spill? Huh?

279
00:24:15,042 --> 00:24:16,542
Where's that niece of yours, huh?

280
00:24:18,208 --> 00:24:21,375
Maya Lopez. Lopez who blew up the armory.

281
00:24:24,167 --> 00:24:27,542
We're actually not at liberty to say
until we get our money.

282
00:24:28,417 --> 00:24:30,083
(GROWLS)

283
00:24:30,167 --> 00:24:32,792
I'm so tired of all this yappin'.

284
00:24:33,250 --> 00:24:34,458
(CELL PHONE VIBRATES)

285
00:24:40,875 --> 00:24:43,250
- I'm gonna go check on somethin'.
- Yeah.

286
00:24:44,000 --> 00:24:46,167
Matter of fact, she probably needs
a hand with that,

287
00:24:46,250 --> 00:24:48,375
so I'm gonna head out,
and then I'll be right...

288
00:24:49,417 --> 00:24:50,583
ZANE: Is something wrong?

289
00:24:51,625 --> 00:24:53,542
No. What?

290
00:24:54,458 --> 00:24:55,750
We still got a deal.

291
00:24:55,833 --> 00:24:58,708
So how about let's all go out
and you show me that money?

292
00:24:59,750 --> 00:25:01,125
You catch that, brothers?

293
00:25:02,792 --> 00:25:04,417
What? Look, there's no problem.

294
00:25:05,667 --> 00:25:07,125
Vickie wants to go out.

295
00:25:09,000 --> 00:25:10,042
So, take him out.

296
00:25:12,458 --> 00:25:13,792
No. Oh no, no, no. No.

297
00:25:13,875 --> 00:25:15,083
(GUN FIRES)

298
00:25:21,167 --> 00:25:22,167
- (GROANS)
- ZANE: Oh!

299
00:25:22,667 --> 00:25:24,583
Thanks again, Vickie,
for the hot tip.

300
00:25:27,292 --> 00:25:29,750
Would have been nice if she were,
you know, here.

301
00:25:37,000 --> 00:25:38,458
(DOOR CLOSES)

302
00:25:38,542 --> 00:25:40,292
The sister's headed for the parking lot.

303
00:25:41,375 --> 00:25:42,375
Let her go.

304
00:25:43,792 --> 00:25:45,250
I got who I wants here.

305
00:25:45,333 --> 00:25:48,292
You's the one who's gonna give me
the answers to my question.

306
00:25:49,167 --> 00:25:52,458
Where is Maya Lopez?

307
00:25:54,833 --> 00:25:58,167
(<i>DRAGULA </i>BY ROB ZOMBIE PLAYING LOUDLY)

308
00:25:58,250 --> 00:26:02,125
<i>♪ I slam in the back of my Dragula ♪</i>

309
00:26:02,208 --> 00:26:03,268
<i>♪ Dig through the ditches ♪</i>

310
00:26:03,292 --> 00:26:05,500
Circuit breaker's in the laser tag area.

311
00:26:06,667 --> 00:26:09,542
ZANE: What are you waiting for?
Go find her!

312
00:26:09,625 --> 00:26:10,750
(INDISTINCT SHOUTING)

313
00:26:10,833 --> 00:26:12,917
Where is she? Get in the circuit!

314
00:26:13,750 --> 00:26:15,375
Boys, pivot!

315
00:26:18,083 --> 00:26:20,167
ZANE: Lopez!

316
00:26:20,250 --> 00:26:21,625
(<i>DRAGULA </i>CONTINUES MUFFLED)

317
00:26:32,958 --> 00:26:34,500
(GRUNTS)

318
00:26:37,000 --> 00:26:38,083
(SWITCHES CLICKING)

319
00:26:39,042 --> 00:26:40,833
(ELECTRICAL ZAP)

320
00:26:40,917 --> 00:26:42,037
- (CHUCKLES)
- CARTER: Shut up!

321
00:26:42,083 --> 00:26:43,500
(<i>DRAGULA</i> CONTINUES)

322
00:26:43,583 --> 00:26:47,292
She's got the place rigged.
Everyone, eyes up! Lopez is here!

323
00:26:49,125 --> 00:26:50,292
(SCREAMS)

324
00:26:50,375 --> 00:26:52,500
<i>♪ ...and burn through the witches ♪</i>

325
00:26:52,583 --> 00:26:56,917
<i>♪ I slam in the back of my Dragula ♪</i>

326
00:26:57,542 --> 00:26:59,542
Be on the lookout.
She's around here somewhere.

327
00:27:04,583 --> 00:27:05,708
(THUD)

328
00:27:05,792 --> 00:27:08,542
<i>♪ Do it, baby
Do it, baby ♪</i>

329
00:27:08,708 --> 00:27:12,708
<i>♪ Burn like an animal ♪</i>

330
00:27:12,792 --> 00:27:15,833
(THUDDING)

331
00:27:15,917 --> 00:27:18,708
- (CRASHING)
- (MAN GRUNTS)

332
00:27:18,792 --> 00:27:20,333
(<i>DRAGULA </i>FADES)

333
00:27:20,417 --> 00:27:21,458
(MAN GRUNTS)

334
00:27:23,792 --> 00:27:24,958
- (GUNSHOT)
- (MAN GRUNTS)

335
00:27:30,583 --> 00:27:33,750
(SOUNDS AND MUSIC SLOWLY FADE)

336
00:27:33,833 --> 00:27:36,125
(SINGLE HEART BEATING)

337
00:27:37,417 --> 00:27:38,833
(ROUSING MUSIC PLAYING)

338
00:27:47,250 --> 00:27:48,333
(GUN CLICKS)

339
00:27:50,125 --> 00:27:51,208
(GLASS SHATTERING)

340
00:27:56,500 --> 00:27:57,625
(GLASS SHATTERING)

341
00:28:12,333 --> 00:28:13,500
(GUNFIRE)

342
00:28:27,375 --> 00:28:28,375
(MEN GRUNTING)

343
00:28:33,708 --> 00:28:35,417
(WHIP CRACKS)

344
00:28:41,583 --> 00:28:43,292
(INDISTINCT YELLING)

345
00:29:04,125 --> 00:29:05,875
Oh.

346
00:29:08,042 --> 00:29:09,917
(CHUCKLING)

347
00:29:10,708 --> 00:29:11,917
(BALL HITTING THE FLOOR)

348
00:29:15,375 --> 00:29:18,125
(VIDEO GAME LOSING SOUNDS)

349
00:29:22,500 --> 00:29:25,375
(DANGEROUS MUSIC PLAYING)

350
00:29:32,792 --> 00:29:33,792
(GRUNTS)

351
00:29:37,417 --> 00:29:38,417
No!

352
00:29:41,917 --> 00:29:43,542
(CELL PHONE VIBRATES)

353
00:29:43,625 --> 00:29:45,625
<i>(NEW YORK MINUTE</i> BY DON HENLEY PLAYING)

354
00:29:48,000 --> 00:29:51,542
<i>♪ Everything can change
In a New York Minute ♪</i>

355
00:29:54,875 --> 00:29:55,875
<i>♪ Things can get... ♪</i>

356
00:29:57,375 --> 00:29:58,375
Aye?

357
00:30:00,542 --> 00:30:01,542
Well, I thought...

358
00:30:02,500 --> 00:30:04,667
Yeah. I understand.

359
00:30:05,250 --> 00:30:07,625
I'm sorry, I... Let me just...

360
00:30:11,042 --> 00:30:12,417
(CALL DISCONNECTS)

361
00:30:12,750 --> 00:30:14,875
(FOREBODING MUSIC PLAYING)

362
00:30:17,833 --> 00:30:18,833
(EXHALES)

363
00:30:24,833 --> 00:30:25,875
Let's go.

364
00:30:33,125 --> 00:30:34,500
(GASPS)

365
00:30:34,583 --> 00:30:37,042
(FOREBODING MUSIC INTENSIFIES)

366
00:30:48,667 --> 00:30:49,708
(DOOR SLAMMING SHUT)

367
00:31:02,875 --> 00:31:04,275
(CAR DOOR OPENING AND SLAMMED SHUT)

368
00:31:07,000 --> 00:31:08,042
(CAR DOOR SLAMMED SHUT)

369
00:31:43,833 --> 00:31:45,000
(CAR DOOR OPENING)

370
00:31:48,000 --> 00:31:49,000
(SIGHS)

371
00:31:52,875 --> 00:31:54,042
(CAR DOOR SLAMMING SHUT)

372
00:31:54,958 --> 00:31:56,750
(TRUCK ENGINE STARTS)

373
00:33:23,042 --> 00:33:25,042
<i>(WHEN WE REMAIN</i>
BY SAMANTHA CRAIN PLAYING)

374
00:33:31,000 --> 00:33:34,708
<i>♪ Tamaha chito okla imihaksi tuko ♪</i>

375
00:33:34,833 --> 00:33:39,750
<i>♪ I foni aiyokli ahoba
hapiachi kiyo ♪</i>

376
00:33:43,000 --> 00:33:46,625
<i>♪ Vpi ahoba osh ohmi tamaha ♪</i>

377
00:33:47,792 --> 00:33:49,500
- (GUN CLICKS)
- (DOOR OPENS)

378
00:33:49,917 --> 00:33:51,625
<i>♪ Okla il vbachike ♪</i>

379
00:33:54,875 --> 00:33:59,958
<i>♪ Okla e maya momakma ♪</i>

380
00:34:02,958 --> 00:34:06,542
<i>♪ Tamaha chito okla imihaksi tuko ♪</i>

381
00:34:06,625 --> 00:34:11,083
<i>♪ I foni aiyokli ahoba
hapiachi kiyo ♪</i>

382
00:34:11,167 --> 00:34:13,417
(<i>WHEN WE REMAIN</i> FADES)

383
00:34:48,500 --> 00:34:50,833
(SPEAKING CHOCTAW)

384
00:34:50,917 --> 00:34:52,958
(IN ENGLISH)

385
00:36:54,625 --> 00:36:56,125
(CLICKS)

386
00:37:07,125 --> 00:37:09,667
(DOOR OPENS AND CLOSES)

387
00:37:10,250 --> 00:37:13,708
(EMOTIONAL MUSIC SWELLS)

388
00:37:18,333 --> 00:37:21,292
(CHOIR SINGING <i>VBA ISHT TALOA #121</i>
IN CHOCTAW)

389
00:37:21,375 --> 00:37:27,625
<i>♪ Chihowa ushi mak hosh ♪</i>

390
00:37:27,792 --> 00:37:31,708
<i>♪ Vba ya ♪</i>

391
00:37:31,792 --> 00:37:38,625
<i>♪ Mihintishke ♪</i>

392
00:37:38,708 --> 00:37:42,292
<i>♪ Nan isht a </i> ♪

393
00:37:42,375 --> 00:37:48,208
<i>♪ Holitopa ♪</i>

394
00:37:49,083 --> 00:37:54,542
<i>♪ Moma ilia ♪</i>

395
00:37:54,625 --> 00:37:59,458
<i>♪ Eshi hosh ♪</i>

396
00:37:59,542 --> 00:38:02,958
<i>♪ Vba ya ♪</i>

397
00:38:03,042 --> 00:38:09,042
<i>♪ Mihintishke ♪</i>

398
00:38:09,792 --> 00:38:13,292
<i>♪ Nan uha ♪</i>

399
00:38:13,375 --> 00:38:18,833
<i>♪ Im vlhtaha ♪</i>

400
00:38:20,292 --> 00:38:25,792
<i>♪ Holitopa ♪</i>

401
00:38:25,875 --> 00:38:30,458
<i>♪ Ai ahlit ♪</i>

402
00:38:30,542 --> 00:38:34,500
<i>♪ Vba ya ♪</i>

403
00:38:34,583 --> 00:38:40,667
<i>♪ Mihintishke ♪</i>

404
00:38:40,750 --> 00:38:43,750
(<i>VBA ISHT TALOA #121 </i>FADES)

405
00:39:02,083 --> 00:39:05,875
(GENTLE WIND CHIMES)

406
00:39:14,708 --> 00:39:15,708
(GASPS)

407
00:39:15,792 --> 00:39:17,792
(OMINOUS MUSIC PLAYING)

408
00:39:41,333 --> 00:39:43,625
(OMINOUS MUSIC BUILDING)

409
00:39:52,708 --> 00:39:54,708
<i>(FERAL LOVE</i> BY CHELSEA WOLFE PLAYING)