1
00:00:10,792 --> 00:00:12,917
(SINISTER MUSIC PLAYING)

2
00:00:13,333 --> 00:00:16,833
Maya, you and I, we're family.

3
00:00:16,917 --> 00:00:17,958
(GUN CLICKS)

4
00:00:18,500 --> 00:00:19,875
(GUN SHOT)

5
00:00:23,000 --> 00:00:24,375
Can we please talk?

6
00:00:26,042 --> 00:00:27,167
(TRAIN HORN BLOWING)

7
00:00:27,250 --> 00:00:28,850
- (GLASS CRACKS)
- BISCUITS: Damn it, Maya!

8
00:00:29,958 --> 00:00:32,000
Grandma's gonna kill me.

9
00:00:33,667 --> 00:00:36,625
I won't bring a war to the people I love.

10
00:00:37,250 --> 00:00:39,458
I know now that I failed you.

11
00:00:39,542 --> 00:00:41,667
The same as my father failed me.

12
00:00:41,750 --> 00:00:44,833
He felt stronger when he beat my mother.

13
00:00:49,792 --> 00:00:50,792
Maya!

14
00:00:53,167 --> 00:00:55,833
NITA: <i>I don't see a booth for your art.</i>

15
00:00:55,917 --> 00:00:58,597
SHIKOBA: <i>You know, Chula's store's
been closed down for a while now.</i>

16
00:01:04,208 --> 00:01:08,250
<i>To us, at a time when we need them</i>

17
00:01:09,417 --> 00:01:10,542
(SQUAWKS)

18
00:01:10,625 --> 00:01:13,917
<i>Your mother, Taloa, she was a healer.</i>

19
00:01:18,250 --> 00:01:19,500
FISK: <i>I have a proposition.</i>

20
00:01:19,875 --> 00:01:22,625
You want an empire? You'll have it.

21
00:01:22,833 --> 00:01:25,083
All you have to do is come home with me.

22
00:01:25,167 --> 00:01:26,792
MAN: (ON PHONE) <i>I'm sorry, Mr. Fisk.</i>

23
00:01:26,875 --> 00:01:29,750
<i>- We tailed her, but she's gone.</i>
- (SHOUTS)

24
00:01:33,833 --> 00:01:36,833
(<i>JINGLE DRESS SONG</i>
BY NORTHERN CREE PLAYING)

25
00:01:55,583 --> 00:01:56,583
(MUSIC ENDS)

26
00:01:57,542 --> 00:01:59,542
- (BIRDS CHIRPING)
- (WOOD TAPPING)

27
00:01:59,625 --> 00:02:01,750
(PEACEFUL MUSIC PLAYING)

28
00:02:10,750 --> 00:02:12,250
(WOOD TAPPING)

29
00:02:18,042 --> 00:02:20,167
(WOODPECKER SQUAWKS)

30
00:02:30,625 --> 00:02:31,625
(SCREECHES)

31
00:02:31,708 --> 00:02:33,708
(DRAMATIC MUSIC PLAYING)

32
00:04:07,167 --> 00:04:08,583
(DRAMATIC MUSIC INTENSIFIES)

33
00:04:09,458 --> 00:04:11,708
(ENERGY HUMMING)

34
00:04:22,250 --> 00:04:23,625
- (TIRES SCREECHING)
- (HORN HONKING)

35
00:04:23,708 --> 00:04:25,917
(SOUNDS AND MUSIC FADE)

36
00:04:31,167 --> 00:04:33,375
(HEART POUNDING)

37
00:04:38,208 --> 00:04:40,917
(HEARTBEAT SLOWS)

38
00:04:43,750 --> 00:04:45,208
(HEARTBEAT STOPS)

39
00:04:52,250 --> 00:04:54,250
<i>(BURNING</i>
BY YEAH YEAH YEAHS PLAYING)

40
00:04:58,125 --> 00:05:00,417
SINGER: <i>♪ Believer ♪</i>

41
00:05:01,042 --> 00:05:03,625
<i>♪ Took me over like a fever ♪</i>

42
00:05:05,042 --> 00:05:09,083
<i>♪ Caught you hiding
in the smoke, smoke, smoke ♪</i>

43
00:05:09,167 --> 00:05:12,417
<i>♪ Like a meteor
I glow, glow, glow ♪</i>

44
00:05:12,500 --> 00:05:14,542
<i>♪ What you gonna do
when you get to the water? ♪</i>

45
00:05:14,625 --> 00:05:17,125
<i>♪ Well, I'll release her ♪</i>

46
00:05:17,208 --> 00:05:20,417
<i>♪ From the bindings
of her teachers ♪</i>

47
00:05:21,458 --> 00:05:25,667
<i>♪ What they're hiding there
is broke, broke, broke ♪</i>

48
00:05:25,750 --> 00:05:30,250
<i>♪ Like the River Styx
I flow, flow, flow ♪</i>

49
00:05:31,542 --> 00:05:34,208
<i>♪ What you gonna do
when you get to the water? ♪</i>

50
00:05:35,458 --> 00:05:38,500
<i>♪ What you gonna do
when you get to the water? ♪</i>

51
00:05:40,625 --> 00:05:43,875
<i>♪ Into the sea, out of fire ♪</i>

52
00:05:44,750 --> 00:05:48,458
<i>♪ All that burning ♪</i>

53
00:05:48,958 --> 00:05:52,583
<i>♪ Into the sea, out of fire ♪</i>

54
00:05:53,042 --> 00:05:56,542
<i>♪ All that burning ♪</i>

55
00:06:20,167 --> 00:06:22,000
(<i>BURNING</i> FADES)

56
00:06:23,500 --> 00:06:26,167
(UPBEAT MUSIC PLAYING)

57
00:06:26,250 --> 00:06:28,542
- (BUZZER SOUNDS)
- (DOOR BELLS CHIME)

58
00:06:30,750 --> 00:06:32,750
- SKULLY: Go away, we're closed.
- (DOOR BELLS CHIME)

59
00:06:32,833 --> 00:06:36,083
You're not closed.
You're napping, you old billy goat.

60
00:06:37,417 --> 00:06:40,167
- Hurry on out here, I have to get to work.
- SKULLY: Chula.

61
00:06:40,917 --> 00:06:44,083
As radiant as the sun shining out of my...

62
00:06:44,208 --> 00:06:46,542
Oh, hush. I'm here for business.

63
00:06:47,458 --> 00:06:49,792
Oh? Well, what can I do you for?

64
00:06:50,958 --> 00:06:54,125
Well, I know it's been a while but...

65
00:06:55,500 --> 00:06:56,542
(SIGHS)

66
00:06:57,500 --> 00:07:01,083
I brought in a sewing machine
a few years back.

67
00:07:01,875 --> 00:07:05,125
And I was just wondering, maybe...

68
00:07:12,208 --> 00:07:14,250
(CLATTERING)

69
00:07:17,500 --> 00:07:19,792
This how you treat paying customers?

70
00:07:19,875 --> 00:07:22,000
It's a wonder you got any business at all.

71
00:07:24,375 --> 00:07:26,292
(SENTIMENTAL MUSIC PLAYING)

72
00:07:29,750 --> 00:07:31,708
(CHUCKLES) You still have it.

73
00:07:31,792 --> 00:07:33,208
Yeah, I didn't put it up for sale.

74
00:07:33,667 --> 00:07:34,792
Why?

75
00:07:35,917 --> 00:07:40,250
Well, when you brought it in,
I cleaned it and oiled it.

76
00:07:41,458 --> 00:07:43,458
Put, uh... Put a nice blanket on it.

77
00:07:43,583 --> 00:07:46,958
(CHUCKLES) I knew you'd come back for it,
I just had to wait.

78
00:07:50,958 --> 00:07:52,125
(CHUCKLES)

79
00:07:54,708 --> 00:07:57,208
- How much do I owe you?
- Nothing.

80
00:07:57,917 --> 00:08:01,250
Just promise me you'll come back
once in a while.

81
00:08:01,917 --> 00:08:02,958
Fine.

82
00:08:03,917 --> 00:08:05,375
We have a deal.

83
00:08:10,833 --> 00:08:12,708
(IN CHOCTAW)

84
00:08:12,833 --> 00:08:15,333
- Skully.
- (IN ENGLISH) Ah, I'll get the door.

85
00:08:18,000 --> 00:08:19,000
(DOOR BELLS CHIME)

86
00:08:19,083 --> 00:08:20,750
(TRAIN HORN BLOWING IN DISTANCE)

87
00:08:22,083 --> 00:08:23,625
(DOOR BELLS CHIME)

88
00:08:23,708 --> 00:08:25,167
- CHULA: Whoa.
- GIRL: Excuse me.

89
00:08:25,250 --> 00:08:26,542
CHULA: It's okay.

90
00:08:26,625 --> 00:08:28,750
(DOOR BELLS CHIME)

91
00:08:31,167 --> 00:08:32,583
MAN: Please, let me help.

92
00:08:33,083 --> 00:08:34,458
CHULA: Oh. Thank you.

93
00:08:34,542 --> 00:08:36,250
(SINISTER MUSIC PLAYING)

94
00:08:36,958 --> 00:08:39,958
Haven't seen you around before.
Are you here for the powwow?

95
00:08:41,542 --> 00:08:43,000
Yes. You could say that.

96
00:08:43,083 --> 00:08:44,123
(SINISTER MUSIC CONTINUES)

97
00:08:44,167 --> 00:08:46,333
It's a good thing you got here early.

98
00:08:46,417 --> 00:08:48,292
I didn't realize
there'd be so many people.

99
00:08:48,375 --> 00:08:49,833
Oh, there always are.

100
00:08:49,917 --> 00:08:53,042
People come from all over
for our Choctaw Nation Powwows.

101
00:08:53,125 --> 00:08:54,917
- Is that right?
- (CHUCKLES)

102
00:08:55,292 --> 00:08:56,292
Your necklace...

103
00:08:57,458 --> 00:08:59,000
It's American Sign Language.

104
00:08:59,375 --> 00:09:00,917
- It says, "I love you."
- Oh!

105
00:09:01,667 --> 00:09:04,750
- You sign?
- I try, for my niece.

106
00:09:04,833 --> 00:09:07,375
Oh. I learned for my daughter.

107
00:09:07,458 --> 00:09:09,125
She's passed on now.

108
00:09:10,292 --> 00:09:14,292
Yes, I've lost someone who I loved.

109
00:09:14,375 --> 00:09:16,333
It's the kind of pain
you never quite get over.

110
00:09:16,417 --> 00:09:17,583
CHULA: Oh.

111
00:09:17,667 --> 00:09:19,292
- Yeah, thank you.
- Yeah.

112
00:09:20,125 --> 00:09:22,125
I keep it up now for my granddaughter.

113
00:09:23,167 --> 00:09:25,125
- Really?
- Yeah.

114
00:09:25,208 --> 00:09:26,417
Well, tell me about her.

115
00:09:27,375 --> 00:09:28,667
Her name's Maya.

116
00:09:29,917 --> 00:09:31,708
She's come in from New York.

117
00:09:31,792 --> 00:09:34,417
(SINISTER MUSIC INTENSIFIES)

118
00:09:54,000 --> 00:09:56,000
(BREATHING HEAVILY)

119
00:10:31,792 --> 00:10:34,042
(<i>AIHPIYIW </i>BY OLIVIA TAIL FEATHERS PLAYING)

120
00:10:37,958 --> 00:10:41,583
- (DOG BARKING)
- Hey. Hey.

121
00:10:41,667 --> 00:10:45,375
Uh, sorry, guys,
this here is vendor parking, actually.

122
00:10:45,458 --> 00:10:48,042
Right over there is general parking
with Roger Two Moons...

123
00:10:48,125 --> 00:10:51,750
Yeah. So, uh, I'm gonna park up
down by there.

124
00:10:52,583 --> 00:10:55,667
So we can enjoy
your Indigenous fair from afar.

125
00:10:56,250 --> 00:10:58,792
Yeah, okay.
So, if you're a vendor, though,

126
00:10:58,875 --> 00:11:01,500
they should have given you a slip
thingy to put up on your dash,

127
00:11:01,583 --> 00:11:04,958
'cause otherwise,
if not, then they... Hey.

128
00:11:05,083 --> 00:11:06,667
(RV DRIVING AWAY)

129
00:11:06,792 --> 00:11:07,792
(SIGHS)

130
00:11:09,250 --> 00:11:12,375
Chula should be here by now,
hey Billy Jack?

131
00:11:13,833 --> 00:11:15,292
(SUSPENSEFUL MUSIC PLAYING)

132
00:11:21,792 --> 00:11:24,792
<i>(UNTIE THE RIBBON</i> BY HANK &amp; JANE
AND FRIENDS PLAYING ON SPEAKERS)

133
00:11:24,875 --> 00:11:25,958
(INDISTINCT CHATTER)

134
00:11:33,083 --> 00:11:34,500
(CELL PHONE VIBRATES)

135
00:11:59,667 --> 00:12:01,042
(CELL PHONE VIBRATES)

136
00:12:04,500 --> 00:12:06,833
(SUSPENSEFUL MUSIC PLAYING)

137
00:12:14,875 --> 00:12:15,917
(TIRES SCREECHING)

138
00:12:16,000 --> 00:12:17,875
(TENSE MUSIC PLAYING)

139
00:12:34,292 --> 00:12:35,500
(GUN CLICKS)

140
00:12:48,333 --> 00:12:51,500
(INTENSE MUSIC QUIETS)

141
00:13:08,042 --> 00:13:09,167
(SETS DOWN GUN)

142
00:13:12,292 --> 00:13:14,500
(SOFT EMOTIONAL MUSIC PLAYING)

143
00:13:24,125 --> 00:13:27,208
(ENERGY HUMMING)

144
00:13:58,583 --> 00:14:01,875
(ENERGY HUMMING)

145
00:15:05,375 --> 00:15:06,708
(INSPIRATIONAL MUSIC INTENSIFIES)

146
00:15:28,750 --> 00:15:30,875
(DRAMATIC MUSIC INTENSIFIES)

147
00:16:03,125 --> 00:16:05,125
(EMOTIONAL MUSIC PLAYING)

148
00:16:17,542 --> 00:16:24,167
SINGER: <i>♪ Oyokonuu numi sutainunuu ♪</i>

149
00:16:24,250 --> 00:16:25,292
(SNIFFLING)

150
00:16:26,708 --> 00:16:33,667
<i>♪ Oyokonuu numi sutainunuu ♪</i>

151
00:16:34,333 --> 00:16:38,625
<i>♪ Numi sutainunuu ♪</i>

152
00:16:38,708 --> 00:16:42,625
<i>♪ U nanisuwukaiyuna ♪</i>

153
00:16:42,708 --> 00:16:44,750
<i>- ♪ Nunu ♪</i>
- (INDISTINCT CHATTER)

154
00:16:44,833 --> 00:16:50,250
<i>♪ U nanisutaihkitunuu ♪</i>

155
00:16:50,333 --> 00:16:53,750
- <i>♪ Oyokonuu </i> ♪
- (INDISTINCT CHATTER)

156
00:16:53,833 --> 00:16:57,833
<i>♪ Numi sutainunuu ♪</i>

157
00:16:57,917 --> 00:17:02,417
<i>♪ Numi sutainunuu ♪</i>

158
00:17:02,500 --> 00:17:07,000
<i>♪ U nanisuwukaiyuna ♪</i>

159
00:17:07,083 --> 00:17:11,833
- <i>♪ Nunu u nanisutaihkitunuu ♪</i>
- (CROWD APPLAUDS, CHEERS)

160
00:17:11,917 --> 00:17:13,708
SHIKOBA: (ON MIC) <i>Alright!</i>

161
00:17:13,792 --> 00:17:17,083
<i>- Tamaha, are you ready to powwow?</i>
- (CROWD CHEERING)

162
00:17:17,167 --> 00:17:20,542
<i>Let's get this house a-rocking.
Make some noise!</i>

163
00:17:23,708 --> 00:17:26,792
(SHIKOBA VOCABLES)

164
00:17:26,875 --> 00:17:29,958
<i>Alright, Ottertrail!</i>

165
00:17:30,042 --> 00:17:34,583
<i>Time for the Grand Entry tonight! Yeah!</i>

166
00:17:34,667 --> 00:17:36,792
(TENSE MUSIC PLAYING)

167
00:17:44,208 --> 00:17:45,583
Let's do this.

168
00:17:48,167 --> 00:17:49,167
(RADIO CLICKS)

169
00:17:49,250 --> 00:17:51,083
We're in position with the weapons.

170
00:17:51,167 --> 00:17:53,250
<i>Keep your eyes out for Maya Lopez.</i>

171
00:17:53,333 --> 00:17:55,708
<i>She's heavily armed and dangerous.</i>

172
00:17:56,917 --> 00:18:00,083
SHIKOBA: <i>Out of respect and honor,
please rise if you are able to,</i>

173
00:18:00,167 --> 00:18:03,875
<i>to honor our singers,
our dancers coming to the arena.</i>

174
00:18:04,458 --> 00:18:06,375
<i>Sing it loud and sing it proud, boys.</i>

175
00:18:06,458 --> 00:18:08,750
<i>Let's bring 'em in, boys.</i>
(VICTORY CRIES)

176
00:18:09,625 --> 00:18:12,000
(DRUM BEATING)

177
00:18:12,083 --> 00:18:13,500
(CROWD APPLAUDING, CHEERING)

178
00:18:13,583 --> 00:18:15,750
(OTTERTRAIL PERFORMING
<i>JOSH SMITH'S SONG</i>)

179
00:18:36,458 --> 00:18:37,750
(SOUNDS AND MUSIC SLOWLY FADE)

180
00:18:42,167 --> 00:18:44,750
(SINGLE HEART BEATING)

181
00:18:55,167 --> 00:18:58,708
- (SOFT VIBRATIONS)
- (LIGHT RHYTHMIC THUMPING)

182
00:19:10,375 --> 00:19:13,667
(HEARTBEAT INTENSIFIES)

183
00:19:19,333 --> 00:19:21,375
(SERENE MUSIC PLAYING)

184
00:19:24,208 --> 00:19:27,917
(HEARTBEAT SYNCHRONIZES WITH DRUMBEAT)

185
00:19:38,542 --> 00:19:41,208
(FULL SOUND RESUMES)

186
00:19:44,792 --> 00:19:48,958
- (SINGING CONTINUES)
- (TENSE MUSIC PLAYING)

187
00:20:22,750 --> 00:20:25,208
(DRESSES JINGLING)

188
00:20:35,542 --> 00:20:37,292
(CHIRPS)

189
00:20:47,750 --> 00:20:51,625
- (SINGING CONTINUES)
- (OMINOUS MUSIC PLAYING)

190
00:21:01,958 --> 00:21:03,958
(DRUM BEATING IN DISTANCE)

191
00:21:08,417 --> 00:21:10,083
Biscuits, any word from Maya?

192
00:21:10,167 --> 00:21:12,042
BISCUITS: <i>No,
but there's some creepy guy here</i>

193
00:21:12,125 --> 00:21:14,292
and he brought
a whole bunch of <i>na hullos</i> in.

194
00:21:14,375 --> 00:21:16,309
I don't know, man. They're up to no good.
I know it.

195
00:21:16,333 --> 00:21:18,133
Listen, Biscuits,
it's about to get dangerous.

196
00:21:18,167 --> 00:21:20,208
Do you have a gun or a weapon?

197
00:21:20,292 --> 00:21:21,292
BISCUITS: <i>A weapon?</i>

198
00:21:23,167 --> 00:21:26,542
(CHUCKLES) Oh.
I got something even better.

199
00:21:31,375 --> 00:21:33,042
(DRESS JINGLING)

200
00:21:38,542 --> 00:21:40,500
(GUN CLICKS)

201
00:21:40,583 --> 00:21:43,583
Not today, <i>na hullos.</i> Not today.

202
00:21:43,708 --> 00:21:45,208
(ENGINE REVS)

203
00:21:46,583 --> 00:21:49,208
(CROWD CHEERING, APPLAUDING)

204
00:21:53,208 --> 00:21:55,625
(SOUNDS SLOWLY FADE)

205
00:21:57,500 --> 00:21:59,667
(SUSPENSEFUL MUSIC PLAYING)

206
00:22:22,417 --> 00:22:24,667
(SINISTER MUSIC PLAYING)

207
00:22:33,417 --> 00:22:35,875
(SINISTER MUSIC INTENSIFIES)

208
00:22:35,958 --> 00:22:38,208
(DRUM BEATING AND SINGING)

209
00:22:38,875 --> 00:22:42,167
- (SHIKOBA VOCABLES)
- (CROWD CHEERING, APPLAUDING)

210
00:22:53,042 --> 00:22:54,125
(LIGHTS CLICK)

211
00:23:18,375 --> 00:23:19,750
(INAUDIBLE DIALOGUE)

212
00:23:30,500 --> 00:23:32,292
(INAUDIBLE DIALOGUE)

213
00:23:32,875 --> 00:23:34,500
ZANE: Righto, boys. I'm in position.

214
00:23:35,042 --> 00:23:36,417
Just waiting for the signal.

215
00:23:36,708 --> 00:23:40,083
(THUNDER BOYS PERFORMING
<i>DELINA'S SONG)</i>

216
00:23:48,958 --> 00:23:49,958
(INAUDIBLE DIALOGUE)

217
00:24:10,000 --> 00:24:11,708
(INAUDIBLE DIALOGUE)

218
00:24:28,542 --> 00:24:29,958
GOON LEADER: (ON RADIO) <i>It's a go.</i>

219
00:24:30,042 --> 00:24:32,792
- (DRUM BEATING)
- (LOUD CHANTING)

220
00:24:39,917 --> 00:24:42,375
(INAUDIBLE DIALOGUE)

221
00:24:44,375 --> 00:24:45,875
(TENSE MUSIC INTENSIFIES)

222
00:24:45,958 --> 00:24:47,000
No.

223
00:24:51,500 --> 00:24:54,458
(DRAMATIC MUSIC PLAYING)

224
00:25:00,625 --> 00:25:01,708
(WHOOSHES)

225
00:25:09,833 --> 00:25:11,958
- (TRIUMPHANT MUSIC PLAYING)
- (<i>DELINA'S SONG</i> CONTINUES)

226
00:25:20,833 --> 00:25:26,292
(ENERGY HUMMING)

227
00:25:27,042 --> 00:25:28,292
(THUD)

228
00:25:32,792 --> 00:25:34,708
(TRIUMPHANT MUSIC
AND SINGING CONTINUES)

229
00:25:41,375 --> 00:25:42,583
(ENGINE REVVING)

230
00:25:42,667 --> 00:25:44,292
BISCUITS: <i>Na hullos!</i>

231
00:25:44,375 --> 00:25:46,042
(BISCUITS WAR CRYING)

232
00:25:47,167 --> 00:25:50,417
Not today, <i>na hullos!</i> Not today! Whoo!

233
00:25:50,500 --> 00:25:51,875
(ENGINE REVVING)

234
00:25:51,958 --> 00:25:53,083
(GOONS SCREAMING)

235
00:25:54,625 --> 00:25:56,208
(GOONS SCREAMING)

236
00:25:56,958 --> 00:25:58,417
- (GRUNTS)
- (GROANS)

237
00:25:59,292 --> 00:26:00,292
(GASPS)

238
00:26:00,375 --> 00:26:02,167
(TRIUMPHANT MUSIC CONTINUING)

239
00:26:17,333 --> 00:26:18,750
(GUN COCKING)

240
00:26:20,625 --> 00:26:21,667
Wait, what?

241
00:26:23,333 --> 00:26:24,333
(ROCKET FIRES)

242
00:26:25,500 --> 00:26:26,708
(CROWD CHEERING, APPLAUDING)

243
00:26:26,792 --> 00:26:28,934
<i>- Put your hands together... </i>(EXCLAIMS)
- (ROCKET EXPLODES)

244
00:26:28,958 --> 00:26:31,875
<i>Fireworks show in the house tonight.</i>

245
00:26:31,958 --> 00:26:35,042
(VICTORY CRIES)
<i>Hoka hey!</i>

246
00:26:35,125 --> 00:26:38,208
(ALL GRUNTING)

247
00:26:40,042 --> 00:26:41,125
(EXHALES)

248
00:26:41,208 --> 00:26:43,167
(DRAMATIC MUSIC PLAYING)

249
00:26:53,750 --> 00:26:54,792
(GRUNTS)

250
00:26:55,917 --> 00:26:57,125
(SHOUTING)

251
00:26:58,500 --> 00:26:59,542
(GASPS)

252
00:26:59,625 --> 00:27:01,458
(ENERGY HUMMING)

253
00:27:01,542 --> 00:27:03,542
(BREATHING HEAVILY)

254
00:27:07,875 --> 00:27:09,458
(ENERGY HUMMING)

255
00:27:15,583 --> 00:27:17,417
(SOBBING)

256
00:27:17,500 --> 00:27:19,542
(MUFFLED BILL ANGRILY YELLING)

257
00:27:20,083 --> 00:27:21,250
(MUFFLED MARLENE WHIMPERS)

258
00:27:22,750 --> 00:27:23,750
(WALL THUDS)

259
00:27:23,833 --> 00:27:26,833
(MUFFLED ARGUING CONTINUES)

260
00:27:27,917 --> 00:27:29,292
(WALL THUDS)

261
00:27:31,000 --> 00:27:33,625
(SOBBING)

262
00:27:37,167 --> 00:27:39,083
<i>- </i>(WALL THUDS)
- (MARLENE SCREAMS)

263
00:27:44,583 --> 00:27:46,708
(DARK MUSIC PLAYING)

264
00:27:54,958 --> 00:27:56,198
- (WALL THUDS)
- (MARLENE SCREAMS)

265
00:28:01,875 --> 00:28:03,458
(EMOTIONAL MUSIC PLAYING)

266
00:28:05,542 --> 00:28:06,542
(MARLENE SCREAMS)

267
00:28:08,000 --> 00:28:09,393
FISK: (ECHOING) <i>I keep this with me.</i>

268
00:28:09,417 --> 00:28:12,708
<i>It's to remind myself
of where I come from...</i>

269
00:28:12,792 --> 00:28:14,208
(SHOUTING)

270
00:28:14,292 --> 00:28:16,292
<i>and what I had to do to get there.</i>

271
00:28:16,375 --> 00:28:17,750
- (MARLENE SCREAMS)
- No, no, no!

272
00:28:18,917 --> 00:28:21,417
(SCREAMING) I am not
who you want me to be!

273
00:28:27,458 --> 00:28:28,708
No.

274
00:28:38,250 --> 00:28:39,333
(GASPS)

275
00:28:40,375 --> 00:28:41,458
What did you just do?

276
00:28:42,583 --> 00:28:43,583
What did you do?

277
00:28:43,667 --> 00:28:44,958
Huh?

278
00:28:46,917 --> 00:28:48,333
(YELLS) What did you do?

279
00:28:48,833 --> 00:28:52,417
(POLICE SIRENS BLARING)

280
00:29:15,792 --> 00:29:17,583
(BIRDS CHIRPING)

281
00:29:41,333 --> 00:29:43,375
<i>(WHEN WE REMAIN</i> BY SAMANTHA CRAIN PLAYING)

282
00:29:43,458 --> 00:29:44,500
(SQUAWKS)

283
00:29:57,208 --> 00:30:02,542
<i>♪ Okla e maya momakma ♪</i>

284
00:30:05,250 --> 00:30:10,292
<i>♪ Okla e maya momakma ♪</i>

285
00:30:13,042 --> 00:30:16,792
<i>♪ Tamaha chito okla imihaksi tuko ♪</i>

286
00:30:16,875 --> 00:30:21,875
<i>♪ I foni aiyokli ahoba hapiachi kiyo ♪</i>

287
00:30:24,000 --> 00:30:25,167
(MOTORCYCLE REVVING)

288
00:30:25,250 --> 00:30:30,208
<i>♪ Okla e maya momakma ♪</i>

289
00:30:32,833 --> 00:30:37,458
<i>♪ Napakanli, micha iti, micha nan ♪</i>

290
00:30:37,542 --> 00:30:39,083
(BISCUITS SPEAKING INDISTINCTLY)

291
00:30:41,167 --> 00:30:44,917
<i>♪ Vpi ahoba osh ohmi tamaha ♪</i>

292
00:30:45,000 --> 00:30:50,125
<i>♪ Chito okla imihaksi tukon
okla il vbachike ♪</i>

293
00:30:53,167 --> 00:30:56,458
<i>♪ Yakni I natanna ♪</i>

294
00:30:56,542 --> 00:31:00,417
<i>♪ Ibachvffa hosh okla ♪</i>

295
00:31:00,500 --> 00:31:06,042
<i>♪ Il ilai achonli tuk ♪</i>

296
00:31:10,583 --> 00:31:13,708
<i>♪ Hapi fiopa ya ♪</i>

297
00:31:13,792 --> 00:31:16,208
- (WHOOPING)
- (LAUGHTER)

298
00:31:17,958 --> 00:31:23,125
<i>♪ Il itibani tuk ♪</i>

299
00:31:26,333 --> 00:31:29,667
<i>♪ Yakni I natanna ♪</i>

300
00:31:29,750 --> 00:31:33,750
<i>♪ Ibachvffa hosh okla ♪</i>

301
00:31:33,833 --> 00:31:39,708
<i>♪ Il ilai achonli tuk ♪</i>

302
00:31:42,417 --> 00:31:45,750
<i>♪ Hapi fiopa ya ♪</i>

303
00:31:45,833 --> 00:31:49,833
<i>♪ Shotik chinto okla ♪</i>

304
00:31:49,917 --> 00:31:55,292
<i>♪ Il itibani tuk ♪</i>

305
00:31:58,500 --> 00:32:01,292
(<i>WHEN WE REMAIN</i> CONTINUES)

306
00:32:47,542 --> 00:32:48,542
(PLANE ENGINE WHOOSHING)

307
00:32:48,625 --> 00:32:50,625
I want a meeting
with all the remaining heads.

308
00:32:51,625 --> 00:32:55,208
We need to stabilize the situation
before it spirals out of control.

309
00:32:59,500 --> 00:33:01,708
REPORTER 1: (ON TV)
<i>describe their ideal candidate.</i>

310
00:33:01,792 --> 00:33:04,875
<i>It turns out most voters
want somebody who is a fighter.</i>

311
00:33:04,958 --> 00:33:07,250
REPORTER 2: <i>Which works
against the career politicians.</i>

312
00:33:07,333 --> 00:33:10,333
<i>There are legitimate problems
in the city right now.</i>

313
00:33:10,417 --> 00:33:11,518
<i>And the voters want somebody</i>

314
00:33:11,542 --> 00:33:13,382
<i>who understands the pain
they're going through,</i>

315
00:33:13,458 --> 00:33:15,226
<i>who understands the frustration
they're going through.</i>

316
00:33:15,250 --> 00:33:19,292
REPORTER 1: <i>Exactly right. A bare-knuckle
brawler would do well in this race.</i>

317
00:33:19,375 --> 00:33:22,792
<i>An outsider, somebody who is not afraid
to take on the establishment.</i>

318
00:33:22,875 --> 00:33:25,250
REPORTER 2: <i>But wouldn't that candidate
have emerged by now?</i>

319
00:33:25,333 --> 00:33:27,833
<i>That's the question that remains
for so many people,</i>

320
00:33:27,917 --> 00:33:29,750
<i>"Is that candidate even out there?"</i>

321
00:33:29,833 --> 00:33:31,893
REPORTER 1: <i>There's no doubt
it is late in the process,</i>

322
00:33:31,917 --> 00:33:33,833
<i>but there's still a window of opportunity.</i>

323
00:33:33,917 --> 00:33:37,250
<i>That's what the poll is telling us.
It could be anybody's race.</i>